Vasermil is a captivating and poignant Israeli drama from 2007, directed by Mushon Salmona, which tells the story of three teenage boys living in the depressed neighborhood of Be'er Sheva. The film explores the challenges, dreams, and hardships they face as they attempt to navigate their way through adolescence in a community that offers them little hope for the future.
The three main characters are Meir (Avinoam Blumenkrantz), a talented soccer player with a troubled home life; Moody (Benni Adega), an Ethiopian immigrant struggling to find acceptance and belonging; and Ronen (Edna Fanta), a tough-talking girl who longs to escape her stifling surroundings. As the film progresses, we witness the complex relationships that develop between these three young people, as well as their interactions with the other residents of their neighborhood.
An important theme of the movie is the way in which the teenage protagonists deal with disappointment and disillusionment. Meir, for instance, finds that his talent for soccer cannot save him from the harsh realities of his domestic situation, while Ronen begins to question her tough exterior as she feels hemmed in by the expectations of her peers. Moody struggles to understand his place in a world where he feels both rejected and fetishized for his ethnicity.
Although Vasermil could be considered a coming-of-age drama, it is also a deeply political film, addressing issues of poverty, racism, and class struggle. The characters' daily lives are marked by the pervasive sense of hopelessness and vulnerability that comes with living in an oppressed community, where education and opportunity are limited by factors outside of their control. However, the film does not indulge in stereotypes or simplistic binaries between the oppressor and oppressed, instead offering a complex vision of a fractured society where people are both individuals and products of their environment.
One of the strongest elements of Vasermil is the formidable performances of the young cast, particularly Blumenkrantz, Adega, and Fanta. The actors imbue their characters with a depth and nuance that is rare in films of this kind, and the chemistry between them is palpable. The film's director, Salmona, also deserves credit for his skillful direction, which captures the grit and texture of the neighborhood without resorting to sensationalism or melodrama.
Another noteworthy aspect of Vasermil is the way in which it conjures up a sense of time and place. Be'er Sheva, with its beige buildings and arid landscapes, is a character in the film in its own right, and the movie's cinematography and editing create a vivid portrait of this southern city. The soundtrack is also noteworthy, featuring an eclectic collection of Israeli and international music that reflects the varied cultural influences present in the movie.
Ultimately, Vasermil is a powerful film that gives voice to a young generation grappling with poverty and discrimination. It is a testament to the resilience and creativity of such individuals, who must improvise their own sense of meaning and purpose in a society that often neglects their needs. Though it may be a difficult and at times heart-wrenching watch, Vasermil is a rewarding and thought-provoking film that showcases the best of modern Israeli cinema.
Vasermil is a 2007 drama with a runtime of 1 hour and 33 minutes.
It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 6.7.